Dining room table protector

Published at Sunday, 13 December 2020.

ATTENTION TO SCALE. A moment that at first glance seems obvious, but is not always respected - the proportionality of details to the interior as a whole. So, a huge picture in a small bedroom will look like an alien element, like a miniature sofa in a spacious living room. PRECISE TEXTILE CALCULATIONS. If high-quality textiles are chosen for interior decoration, a purchase with a large margin can be a real test for a wallet. Therefore, it is better to calculate the exact amount of tissue in advance. A solid supply is necessary in cases where textiles with a large pattern are selected (after all, it will be necessary to combine details), as well as in the absence of confidence in the professionalism of the sewing master. Do not forget to include the fringe and frills in the calculations, of course, if they are provided. LUXURY OF COMPLEX FACTS FOR FURNITURE UPHOLSTERY. The usual version of upholstery for furniture is a dense, lint-free fabric. But it is worth abandoning it in favor of fluffy upholstery, and the interior will look in a new way. It is not necessary to decorate all furniture with artificial or natural fur. One or two items in the room will be enough.

In the Middle Ages, upper class Britons and other European nobility in castles or large manor houses dined in the great hall. This was a large multi-function room capable of seating the bulk of the population of the house. The family would sit at the head table on a raised dais, with the rest of the population arrayed in order of diminishing rank away from them. Tables in the great hall would tend to be long trestle tables with benches. The sheer number of people in a Great Hall meant it would probably have had a busy, bustling atmosphere. Suggestions that it would also have been quite smelly and smoky are probably, by the standards of the time, unfounded. These rooms had large chimneys and high ceilings and there would have been a free flow of air through the numerous door and window openings.

About the author